Over The Wire
Written by Seamas Keenan
Directed by Kieran Griffiths
Beano Niblock is a former loyalist prisoner. He currently writes poetry, plays and commentary pieces and blogs at Long Kesh Inside Out.
|Over the Wire|
Over The Wire was first performed in 2013 in the Derry Playhouse. Then it was directed by Kenny Glenaan the Scots director responsible for Spooks and more recently Charlie-the RTE series on Charles Haughey. This time round the reins are taken up by Kieran Griffiths and he doesn’t disappoint.
From the off the pace is unrelenting … 90 minutes nonstop with no interval. The atmospherics are a standout — lighting and background sounds with what seems like an ever swirling mist — helps to transport us back to late October/Early November 1974. You can feel the cold ... the hunger and the isolation as the 5 Republican prisoners do what it takes to survive in the wake of the burning of Long Kesh camp.
The set design is very simple but hugely effective. A mini cage complete with gate and topped with barbed wire recreates-on a smaller scale-the old compounds of that era. It too is highly effectual in creating the shadowy effect and showing an almost post apocalyptic vista.
The five actors virtually remain on stage for the duration of the play with one notable exception. At all times we are privy to their most private discussions. There is no hiding place and even their makeshift shelter built from the debris fails to conceal them.
Throughout the years the humour and the camaraderie amongst political prisoners has been well documentary and it is given great scope here. The legendary sing songs, organised to lift flagging morale - The Broad Black Brimmer here alongside unforgettable pop classics like Running Bear. The gallows humour, the corny jokes, the pranks and the random classics - “Name me the one woman in the whole world you would ride if you had the Chance” … sure we all played that one. But I wonder how many came up with Lulu as their first choice. It was 1974 after all.
|Behind the wire|
5 actors - all Derry men by the sound of it - and it seems ... even then, that there was 5 different shades of Republicanism. Take Dee — the OC - he wasn’t even in the Movement before he was lifted and now he’s dishing out orders at the behest of “that shower of shite in cage 6”... who make all the rules. Then there’s the effervescent Dutch — Jack the Lad type, fancies himself as a bit of a ladies man, takes everything at face value. But is impressionable and vulnerable. And Colin ... who’s girlfriend has just had a baby even though he has been in prison for two years. But he loves her and longs to be with her again. Then there’s Lucas. Bit of a socialist apparently ... trusts no one ... has more than one axe to grind and seems like a far more natural OC than Dee.
As the play progresses Lucas’s mental state deteriorates at an alarming rate. Where the drama succeeds is in relaying the emotions and the real fears, the despair and the loneliness, the vulnerability of each person. Each individual has his personal dreads, his terrors, which at times-and particularly when we were young you do your best to disguise. All of this shown up in the glare of the searchlights and the strength of the writer and director is exemplified in the minutiae of long term life within a cage and under extremely terrifying circumstances.
|Stirring the pot|
One review described Over The Wire as “short, sharp, shock” treatment. I wouldn’t disagree entirely. There are some great one liners here ... some incisive dialogue ... a liberal smattering of agricultural language ... a little nudity and plenty of violence.
Overall I offer high praise to the production. The set is basically a small reproduction of a Lonk Kesh compound but utterly effective. High plaudits also to the technical staff and the production levels. But what impressed me most was the script. I haven’t a clue whether Seamas is an ex prisoner or not but he nailed the intensity of some conversations and equally as important the banality of the rest of it. Go see.