The teaming of Elliott and star of this one man show - the wonderful Ciaran Nolan - is nothing new. Previously they collaborated for television with Pulling Moves and on stage with The Christening - and here they have teamed up with Tony Devlin and Brassneck to produce a very deserving piece of theatre.
Half Moon Lake is an oasis of sorts set improbably in Lenadoon and the playground of Sean Doran and his childhood friends, and two brothers. We first meet Sean coming back to the lake now in adulthood to reminisce and recall those halcyon days shortly after a break up with his girlfriend - who takes their baby girl with her - and in the wake of losing his job which was trying to find a sponsor for one eyed and one armed Ugandan war child!! Over the next couple of hours Sean tries to make sense of his life to date: to find the reasons why so many of his former friends and relatives have succumbed to "the monster".
Peare Elliot and Ciaran Nolan |
Man in the Moon finishes its run in the Grand Opera House this Saturday before going on a run to different theatres throughout Northern Ireland during the rest of October. Catch it if you can.
Really enjoyed this review!
ReplyDeleteJust sorry I didn't catch it in the Grand Opera house but I will.
Nuala,
ReplyDeleteyes, Beano widens our field of vision in respect of these things. You should do a bit of reviewing for us yourself!
I liked both this and Richard's review.
Pearse Elliot is a committed writer. He never much liked the censors.
from Beano
ReplyDeleteWhat I like about Elliott is his ability to make me laugh. Martin Lynch and Marie Jones are exceptional writers who can find humour in the bleakest of subjects and although they have perfected Belfast humour I believe that Pearse has nailed the West Belfast type of humour-which I feel is parochial to a certain extent. In an age where depression is a by- word in our beleaguered society it does no harm at all to have a good laugh even if it is at ourselves. Joe Brennan's recent play-The Sweetie Bottle-also produced plenty to smile about and it is no coincidence that, like Elliott Joe drew on personal experiences-his father ran a shebeen in the early days of the troubles-and produced a down to earth comedy. The best shows I have seen in this past couple of years have all been comedies-the above mentioned-and Fly me To The Moon by Marie Jones-plus-A Night with George by Brenda Murphy. All have one thing in common-they portray the everyday lives and existence of common Belfast folk-warts, foibles and all. And therein lies the humour.
Mackers,
ReplyDeleteOne of the reasons I love a well written review is because they are something I seriously struggle with.
I love reading someone's take on something and I especially love it when it is well put together.
This has persuaded me that this is a play I would really like to see. Just as other reviews such as Catherine's have persuaded me that, that particular play wouldn't be for me.
Nuala,
ReplyDeleteI used to feel that way with them but after a while they just come naturally.
Mackers,
ReplyDeleteHopefully we will get to see it within the next couple of weeks and I'll come back and tell you what I think.
Beano
ReplyDeleteThanks for this, you lovies; (sorry could not resist it, it's not an insult, well done to you) over here they don't do much about us common working class folk, if ordinary people are portrayed on the stage it is usually about the angst of those nice middle class folk.
Mind you the last play I went to see was Jeffery Barnard is unwell, with Peter O'Toole as Jeff. Having know Barnard well, I could not help thinking the great thespian was a poor specimen compared with the great man.
A man who is able to create a living out of his two great loves, drinking and the horses is much to be admired in my book, but if you add in he also spewed over Betsy's mum's shoes he gains a god like status;)
From Beano
ReplyDeleteOrganized Rage ...
Interesting point about the theatre being for certain sections of the community where you live - there have long been the same sentiments uttered here.
From a Protestant working class perspective there has always been the notion that the theatre here in Northern Ireland was-and is to a certain extent-the domain of the middle classes-and Fenians. Total shit of course. If it is the domain of ANYONE particular group that is only because those making the claim opt out. There is absolutely nothing to stop anyone attending the theatre - apart from the cost perhaps. It is high time this changed. Perhaps one argument would be that there isn't many good plays about to attract someone to go - but I believe that there is enough good material to enable people to attend at least a few times during the year. Again from a Protestant working class perspective -I am one of a small number of people currently fronting a new theatre company-called etcetera - in the hope of redressing the situation regarding the Arts - and drama in particular. We were launched in the Linen hall Library late July and hope to have a full length production going out during the Cathedral Arts Quarter Festival in May 2014.